Rise Against and Alkaline Trio in Worcester
This is the tour of the year. If you think differently, I think you’re wrong. Any time you pair two of today’s biggest and most prolific punk bands on the same bill, you’re certain to get great shows that will attract thousands of fans at venues all across the country. Throw in one of the scene’s most innovative post-hardcore bands, along with an act generally acknowledged to be “the next big thing,” and you have a touring match made in Heaven. Monday’s date in Worcester at the Palladium somehow lived up to the hype, providing one of the most intense live show experiences I’ve ever been apart of, while confirming the headliner’s standing as one of today’s most popular, influential, and vital rock bands.
The night began with a short set from New Jersey’s The Gaslight Anthem. The much talked about and self
described “soul band” put on a very enjoyable show that mainly featured material from their latest release The ’59 Sound. Lead singer Brian Fallon’s signature “soulful” vocal work took center stage while guitarist Alex Rosamila admirably led harder driving songs such “Old White Lincoln” and “The Backseat.” While only a few in the crowd (which was already quite large at this point) seemed to be familiar with the act, the band seemed to do well in winning them over during the set.
Next was Orange County’s Thrice. While the band has strayed quite far from their post-hardcore roots with their most recent releases, they showed that they can still bring the heat in a live setting. Dustin Kensrue spent most of the set screaming his lungs out, while drummer Riley Breckenridge pounded his kit into oblivion. For the first few songs, I couldn’t help but think “wow, these guys are heavy.” However, that thought soon turned to “wow, these songs all sound the same,” and then transformed into “wow, I’m kind of bored here.” Despite their technical prowess, I simply wasn’t that interested in their set. They did end on a high note however with “The Earth Will Shake,” a standout track from their 2005 record Vheissu. I have plenty of respect for the band and their ability to write great songs, but I was a little to excited to see the two bands that would soon take the stage.
Next, a black banner embossed with a familiar logo was unfurled, candles were lit, and all hell broke loose.
Alkaline Trio took the stage to a roar from the crowd and broke into “Private Eye.” The band just happens to have two perfect songs with which to open a set (and a record), and they segwayed into “Calling All Skeletons,” the biting first track from their latest effort Agony and Irony. The band then continued the onslaught with old favorite “I Lied My Face Off.” While they might not have been the headliner, it was obvious that the majority of the crowd knew Alkaline Trio and knew them well, judging by the reaction to this song.
The band would go on to play the staples from the new record, including “Help Me,” “In Vein,” and “I Found Away.” They also played “Over and Out” for the first time ever. “Cringe,” the opening track from Goddamnit was a very pleasant surprised and received a huge reaction from the crowd. The only iffy point was the Crimson track “I Was A Prayer,” which is a nice song, but didn’t quite pack the energy of any of the set’s other songs. The band would close with another huge sing along moment in “This Could Be Love,” during which guitarist/front man Matt Skiba pointed out an enthusiastic fan and had the rest of the crowd sing the chorus to him. What has surprised me each time I have seen Alkaline Trio this year, and especially on this night, is how much fun they seem to be having on stage. Many veteran bands who have seen the same type of success would scoff at an opening role, especially after having released a major label debut earlier this year. However, both Skiba and bassist Dan Adriano had huge smiles on their faces for the majority of the time and were undoubtedly excited to playing the show. While a headlining tour may suit them better simply due to their enormous catalog, they were the perfect warm up for another venerable Chicago favorite.
Rise Against entered the room to some type of distorted spoken-word introduction which was mainly drowned out by static and the cheering crowd. From here, they would burst into a furious rendition of “Drones.” In the few glances I caught of front man Tim McIllrath during the song, it looked like he was perilously close to suffering a burst vain and/or crushing the microphone. Such intensity would continue into the next song, “Give It All,” the band’s first breakthrough hit. From here on out, it’s a little difficult to remember exactly what was played because I was more concerned with surviving than taking mental set-list notes. I’ve been to a lot of shows, and a lot of rough ones, but this one might take the cake in that area, and I have the scratches and bruises to prove it.Throughout the set, bodies were being thrown around like rag dolls in the pit, and I’m pretty sure I’ve been in car crashes that were more pleasant than what I experienced when I ventured into the center of it. Luckily, everyone was watching out everyone else, and the second someone hit the ground there were often four hands there to immediatly pick them up.
The fact that I didn’t exactly see most of what happened on stage shouldn’t take away from another excellent Rise Against performance. They sounded great, and while the set list was heavy with tracks from 2006’s The Sufferer and the Witness, there was enough of a mix of old and new to keep most fans happy. The band played three new tracks from Appeal to Reason, set to be released the next day but already for sale at the band’s merch table. They were lead song “Reeducation (Through Labor),” album openner “Collapse” and the haunting acoustic number “Hero of War,” which was played near the end of the show along with “Swing Life Away.” Two songs from 2003’s Revolutions Per Minute were also played, those being “Like The Angel” and “Halfway There.”
The band finished their set with a bone-crushing combination of “Survive,” “Under the Knife,” and finally “Prayer of the Refuge,” which insipred a wild pit that consumed most of the floor. By the time the lights came back on and the band had left the stage, many in the crowd were covered in sweat and bruises, but most would agree that they would trade the opportunity to see a tour this good for a few aches and pains any day.
Rise Against Set List (Probably not in order or quite right)
Give It All
State of the Union
Ready to Fall
Chamber the Cartridge
Stained Glass and Marble
Behind Closed Doors
Like the Angel
The Good Left Undone
Hero of War
Swing Life Away
Under the Knife
Prayer of the Refugee