Fall Out Boy
May 26th 2013
House Of Blues Boston
Fall Out Boy. There’s a lot to say about this band, but nothing that hasn’t already been said before. And that’s why I’m ending this review right here. Or at least I should, because it’s probably going to be a lot longer than it needs to be, so here’s the short version:
Fall Out Boy returns from four year hiatus. Announces new album and club tour. Tour sells out in seconds. Band releases Save Rock And Roll, which debuts at #1. Band makes triumphant return to Boston in ridiculous fashion. Show includes teenage girls lining up in the freezing rain 12 hours prior to doors opening, Pete Wentz wearing leather pants and some sort of kilt, a lot of flashing lights, and Patrick Stump completely stealing the show.
If that last sentence didn’t make you gag and you’re still reading, here’s the unabridged version:
The show started with scores of people standing in line in the wasteland that exists behind the House of Blues. I’ve seen long lines at this venue, but never one that wrapped all the way around the building like this. The box office had opened at 3PM to allow fans to pick up their “will call only” tickets, and it was obvious that hundreds of fans had arrived much earlier than that.
Despite the line, everyone seemed to make their way inside in time to catch the opening set from Long Island’s NK (formally know as North Korea). The group is led by Ryan Hunter, the charismatic former lead singer of Envy on the Coast. Hunter’s previous band was an underground favorite that had unfortunately called it quits after only two albums in 2010. Hunter is joined in the band by Envy guitarist Brian Bryne, as well as Dilinger Escape Plan drummer Billy Rymer.
“Diverse” would be a good way to describe the band’s sound, as they bounced from Rage Against The Machine-like aggression to Incubus-esque polish, even including a slowed-down “island jam” towards the end of the set. The band’s performance was surprising in that it sounded almost nothing like any of the member’s previous work. This isn’t necessarily a bad thing, but it also means it will be an uphill battle to establish the same type of fan base Envy On The Coast once enjoyed.
After thanking Fall Out Boy for the opportunity to open the show, NK made their way off stage as the countdown to the headliners began. There was very little movement in the crowd, as those who had waited hours in line for a good spot had already staked their claim to the prime viewing spots. As the break carried on past the standard half hour, everyone in attendance began to get antsy, until the lights and music finally cut off and a spotlight illuminated the giant white screen covering most of the stage.
Behind this screen, the shadows of the four band members could be seen as they made their way on stage to Jay-Z’s spoken word intro to “Thriller”. Soon enough, the white screen fell to the floor, revealing the band behind it and inspiring even louder and more ear-splitting shrieks from the crowd.
Lead singer Patrick Stump bounded up to the microphone to start the song while Pete Wentz jumped off a riser at the front of the stage and started spinning in circles like a top. Stump’s booming vocals, Wentz’s theatrics, the falling curtain and all of the flashing strobe lights made for an appearance completely befitting of a band that seems to relish this kind of spectacle.
While some things never change (Wentz’s penchant for showboating instead of actually playing the bass), some thing’s certainly have since the band’s early days. Lead singer Patrick Stump, for example, has always seemed rooted to the microphone stand and entirely uncomfortable in front of the screeming masses. There was also a time when he wasn’t that great of a singer. What a difference a few years and a couple of gold records makes.
The newly slimmed-down Stump literally stole the show, rendering Wentz an unlikely supporting character. When not belting out the huge choruses that make up most of the band’s songs, Stump was racing from one end of the stage to the other or jumping up on the risers, all the while keeping up with his responsibilities as the band’s rhythm guitarist.
Stump commented at the start of the show that he was starting to loose his voice and he would need the crowd’s help in singing along. If this is what his voice sounds like on a bad day, it’s hard to imagine what it sounds like on a good day. Stump handled just about all of the set’s 20 songs with ease, and if there were times when he was off, the crowd was too loud for anyone to notice.
The band did include all of their biggest songs, many of them coming early in the set, including “A Little Less 16 Candles A Little More Touch Me”, “This Ain’t A Scene, It’s An Arms Race”, and “Grand Theft Autumn/Where Is Your Boy” (and wow does this band have some obnoxiously long song titles).
While it was nice to hear the hits, it was all of the non-hits the band played that made the set special. These tracks included “Disloyal Order Of The Water Buffalo” and “What A Catch Donnie” – both from 2008’s Folie a Deux. While the album may not have been as well received as their previous work (and was a big reason they went on hiatus), I think these tracks stack up well against anything else they’ve done, and the rest of the crowd seemed to agree based on their reaction.
Another of the show’s high water marks came in the form of “Hum Hallelujah” from 2007’s Infinity On High. Wentz dedicated the song to Boston, saying the city had “been through a lot over the last month”, and then stepped aside to let Stump’s soaring vocals to once again steal the spotlight.
While primarily focusing on newer material, the band did dust off a few choice cuts from their landmark 2003 effort Take This To Your Grave, including “Tell That Mick He Just Made My List Of Things To Do Today”. Many of those in the audience may have been under 10 years old when the record was released, but that didn’t stop these songs from inspiring huge sing-alongs that at times made Stump’s presence seem unnecessary.
The set came to a close with two more solid performances, beginning with a lively rendition of “I Don’t Care”, the Folie a Deux lead single that may have been a radio flop, but was very well received on this night. They then transitioned into current lead single “My Songs Know What You Did In The Dark (Light ‘Em Up)” – which has not suffered the same fate as “I Don’t Care”, selling over 1 million downloads since its release.
After making their way off stage for a quick break before the encore, the band returned to play “Save Rock And Roll” while the screens behind them displayed images of rock legends like the Rolling Stones, The Beatles, Jimi Hendrix, Prince, and Johnny Cash. While it seems ridiculous for a band like Fall Out Boy to be insinuating that they are carrying on in the same tradition as these heavyweights, you do have to appreciate the ambition. During the song, Stump did his best to channel another legend, pounding away at the piano and covering the vocals sang on the album by one Elton John.
Bringing down the curtain on the show was the duo of “Thnks Fr Th Mmrs” and “Saturday”, the Take This To Your Grave track that has served as the band’s set closing number for as long as anyone can remember. As is the norm, Wentz put down the bass during this song to climb into the crowd and pass the mic to those who had dedicated their entire Sunday to being close to the stage for the 90 minute set.
The band then took their bows and made their exit while many in the crowd lingered, hoping to find a stray guitar pick on the floor or the friends they lost track of at some point during the set.
If you were at the show, you would probably agree that Fall Out Boy’s comeback is looking like a huge success. Of course, when you are a band that was as big as Fall Out Boy was, you’re always bound to have a dedicated fan base that sticks with you and can help you pack smaller venues like this. The real test will come this fall, when the band embarks on a national arena tour, which will provide a good indication as to whether this comeback is going to be short-lived on whether the band really is primed to return as one of rock’s biggest acts.
Off With Their Heads
House of Blues Boston
May 18th, 2013
It feels like it’s been years since I’ve written a review on this blog. If you are wondering what caused the long absence, the answer is simple: I stopped going to shows. Just got tired of it. Too loud, too expensive, too time consuming – not worth the effort.
I’m kidding, of course. Since my last entry I’ve been to plenty of shows. Most of them have been awesome. There was Andrew McMahon playing his first solo show in Boston, Titus Andronicus tearing through a late-night set in Cambridge, and the The Bronx’s lead singer, Matt Caughthran, singing an entire song while crowd surfing when opening for Bad Religion at the House of Blues.
While these shows were great, none of them inspired me to finally sit down at the keyboard and hammer out a review. That changed when one of my all time favorites took the stage for what was likely one of the largest headlining shows they’ve played in years at the House of Blues in Boston.
That band is of course Alkaline Trio – an artist forever cursed by the fact that they released a number of excellent albums very early in their career. Since that time, every new record has been held to an unrealistically high standard and any attempt at refining their sounds or experimenting with a new approach is scorned by the fans who helped them become unlikely cult heroes.
For that reason, and despite a number of solid releases over the past few years, most Alkaline Trio fans would not argue the group is at the top of their game. Luckily for the band, you would have had no idea this was the case if you witnessed their latest Boston performance.
The night started with a 30 minute set from Off With Their Heads. Fresh off the release of their third album, the band seemed to be in a great spot to grow their fan base by bringing their brand of gruff punk rock to the Trio-worshiping masses. Strangely enough, lead singer Ryan Young had gone on the record as saying he wasn’t all that excited about the tour due to the unenthusiastic crowd reaction the band was likely to receive (read the interview here).
Maybe it was a self-fulfilling prophecy, but few in the crowd seemed excited by the band’s work. The Minneapolis quartet did seem to win over at least a few new fans with a very solid performance. The title track from their recent album Home was a mid-tempo show stopper while most other tracks featured the same frantic energy that made their last two records critical favorites.
Bayside was the primary support for the tour, which must have been an honor for a band that started their career sounding like a pretty decent Alkaline Trio tribute band.
They opened their set with “Devotion and Desire” – a song they have (obnoxiously) closed almost every show with over the past seven years. It did get the crowd moving and kicked off what would become the kind of set you’ve always wanted to see the band to play.
Instead of the the three static figures seemingly rooted to their microphones on stage that we’ve seen in the past, lead singer/guitarist Anthony Raneri, guitarist Jack O’Shea, and bassist Nick Ghanbarian made a concerted effort to move around the stage and look like they were interested in the songs they were playing. During the final song, Raneri even put down the guitar to climb down to the barrier with the mic and let the crowd sing along.
As is always the case, the band sounded great, and O’Shea’s fret board theatrics took center stage whenever the song called for a solo. The band surprisingly made no reference to their allegiances to New York sports teams – which was surprising considering the show was across the street from Fenway, and the Bruins and Rangers were set to square off in in game 2 of their second round playoff series the next day.
It was probably for the better as the band was able to pack 11 songs into their set, which primarily focused on 2011’s Killing Time and also included standout tracks from 2007’s The Walking Wounded and their self-titled record. They closed with a rousing version of “Dear Tragedy” to a rather massive applause.
Next up were the headliners. The last time the band was in Boston two year’s earlier, they played at the Paradise Rock Club, a venue less than half the size of the House of Blues. That’s why the venue choice seemed surprising when the tour was announced. Despite this, the venue was packed as fans jostled for space on the first floor and the balconies.
The band took the stage and kicked off the set as they often do – with the opening track from their most recent album. This time it was the bouncy “She Lied To The FBI” – which received a surprisingly good reaction from the crowd. They followed with b-side “Hell Yes” and then “Clavicle” – a huge fan favorite from their debut album which ratcheted up the energy level considerably. They then followed with two deep cuts from 2003’s Good Mourning in “If We Never Go Inside” and “Donner Party (All Night Long)”. For a big Good Mourning fan like myself, hearing these songs played live was a huge treat.
Right out of the gate, it was obvious the band was willing to switch up the set list quite a bit and wasn’t going to playing just the hits. By the end of the night, the band had completely ignored 2008’s Agony And Irony and 2010’s This Addiction, while playing nearly as many songs from Good Morning (4) as they did from the recently released My Shame Is True (5). It didn’t seem like anyone in attendance had a problem with this, as the band constantly commended the crowd on their effort and even threw in the “best show of the tour” designation at one point.
With the crowd in top form, the band didn’t disappoint with their performance. Guitarist Matt Skiba and bassist Dan Andriano traded vocal duties, with Dan sounding surprisingly good on his songs, notably “Crawl” and the new track “Young Lovers”.
The high point of the set (at least from where I was standing) was the 1-2 punch of “The Torture Doctor” and “My Friend Peter”. The two songs couldn’t be more different: the former is from the band’s latest album and features a huge, glossy chorus, while the latter is a 2 minute blast of punk energy from the band’s early catalog that has long been a fan favorite. The two choices, and the huge sing-alongs they inspired perfectly represented the band’s entire set – whether the song was new or old, the crowd ate up every minute.
Skiba and Co. have made it a point of closing most shows with one of two old favorites: “Radio” or “97”. On this night, the band treated the crowd to both. Skiba ended the night playing the last few cords on his back after leaping off the drum riser while drummer Derek Grant flung drum sticks to the outstretched hands on the floor.
At one point earlier in the set, Skiba had stopped to stare out at the huge crowd and remark “we’re not going to say we don’t like seeing so many of you here.” The sheer size of this show was a reminder of just how dedicated the band’s fan base is. Like many of those in attendance, I had seen Alkaline Trio plenty of times, and like everyone else, I’ll keep going back as long as they keep putting in solid performances like this.
2012 was a great year for live music in the Boston area. Here is the creme of the crop, according to me:
1. Refused at House of Blues Boston, July 20th
One of the greatest hardcore bands of all time proved that their reunion was not just a Cochella money grab when they announced an extensive world tour that stopped in Boston in August. Their 90 minute set was overwhelmingly intense. The aggression precision, and showmanship the band displayed defied every law that should govern a group of 40 year olds that had called it quits 14 years earlier. It would seem natural to say I wish I could have seen them in their prime, but I’m pretty sure this was it.
2. Bruce Springsteen at TD Garden, March 26th
There’s no such thing as a bad Bruce show, but a few factors made this one special. It was Sprinsteen’s first Boston show in three years and coincided with the release of his new album Wrecking Ball. While the tour would make multiple stops in New York and New Jersey, this was the only scheduled Boston show and had sold out in minutes. The three hours sets included a soul melody inspired by the band’s recent performance at the Apollo Theater, an epic encore with the house lights on, and everything else that has made Sprinsteen and Co. rock’s most consistent performers.
3. Motion City Soundtrack Double Header at Bamboozle Festival, May 19th
While there was no explanation as to why MCS was slated for two slots on the same stage at the Bamboozle Festival in Asbury Park, NJ, you weren’t going to hear any complaints from me. Their two appearances, one in the early afternoon and one much later at night, covered a good chunk of their discography and included very few repeats. They garnered the most enthusiastic crowd reaction that I saw all day, which is pretty impressive considering they were competing with the likes of the Foo Fighters on the main stage.
4. The Gaslight Anthem at the Middle East Downstairs, July 22nd
The Gaslight Anthem is way too big to be playing a 550 capacity venue, but that didn’t stop them from doing a small club tour in advance of their new album Handwritten this summer. Their show at the Middle East featured a lot of old tracks, previews or a few new ones, and a whole lot of sweat.
5. Jack’s Mannequin at El Rey Theater, November 11th
The band’s final two shows acted as a benefit for the Dear Jack Foundation and helped to raise $50,000 for childhood cancer research. Andrew McMahon and company’s second to last show featured a very well crafted career spanning set list that even included Something Corporate favorite “Konstantine”
6. Crime In Stereo and I Am The Avalanche at Gramercy Theater, November 24th
Crime in Stereo quietly called it a day in 2010, leaving their fans with little information as to why they had broken up or what they planned to do next. Their 2012 reunion was as unexpected as their breakup, and their first show back proved they still had it. An adrenaline packed opening set from local favorites I Am the Avalanche started things off on the right foot, and had the crowd ready for what would be a memorable 90 minute performance from the headliners. Their set mirrored their discography in that it was as haunting as it was powerful. Frontman Kristian Hallbert danced in and out of the venue’s brilliant, bliding spotlights while the rest of the band tore through each song as if they had never been apart.
7. Coldplay at TD Garden, July 29th
Chris Martin and Co. returned to the Garden for two sold out shows that featured all of the theatrics you would expect for $130 a ticket. This included light-up bracelets that were handed out to everyone in the arena, which the band controlled to made the show look a whole lot like the recently completed Olympic Opening Ceremony.
8. Fun at House of Blues Boston, April 21st
It’s not very often that you get to watch a hardworking band get the attention that they deserve, but that’s exactly what happened to fun in 2012. After their excellent debut album Aim and Ignite was largely ignored, a Super Bowl ad and a few radio spins helped fun become one of the year’s best success stories, and they made a stop in Boston just as their stock was about to shoot through the roof. The crowd’s reaction to the band’s every move made it obvious that a sold out show at the House of Blues was just the start of something very big.
9. Frank Turner at Royale, September 6th
Frank Turner also had a standout 2012, shooting from cult favorite to rock radio staple. He would play two sold out shows at Royale in September, and the first proved that the success certainly hasn’t gone to his head. Turner and the Sleeping Souls played great mix of songs new and old and made sure they weren’t overshadowed by opening act Larry and his Flash, who had put on a great show in their own right.
10. Bouncing Souls at House of Blues Boston, August 4th
While a half empty House of Blues may seem like a strange location for a Bouncing Souls show, the surprising absence of both bouncers and a barrier in front of the stage made for the what was easily the craziest show I’ve been to at the venue since it opened four years ago. After an excellent opening set from the Menzingers, the Bouncing Souls took the stage for what at first seemed like a snooze fest, as the band debuted a number of tracks from their recently released album Comet. When fans realized there would be no repercussions for making their way on stage, the stage diving competition was in session for the rest of the show.
Very Honorable Mentions
Say Anything, Murder By Death, Fake Problems at House of Blues Boston
Neon Trees at the Paradise
The Killers at Agganis Arena
Andrew Jackson Jihad at TT the Bears
Joyce Manor at TT the Bears